An architectual description of China's Forbidden City
Date Submitted: 09/13/2004 18:12:48
Architecture mirrors the material and aesthetic standards of a society, and Classical Chinese architectural concepts are indissolubly linked with a social order at once real and ideal, with a structured vision of the universe and with a certain scale of values. The Forbidden City or Imperial Palace (also known as The Palace Museum) is a prime example of this combination of construction and philosophy.
Construction of the Forbidden City was started by order of the
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build but made all construction an extension of their spiritual, emotional and theological beliefs. Whether building a palace or a barn, there was always a striking harmony between the plan, the function and the visual and emotional esthetics.
Bibliography
Pirazzoli, Michele, Living Architecture: Chinese (New York: Grosset & Dunlap, 1971)
Shatzman-Steinhardt, Nancy, Chinese Imperial City Planning (Honolulu: University of Hawaii Press, 1990)
Su, Gin-Djih, Chinese Architecture - Past and Contemporary (Hong Kong: The Sin Poh Amalgamated Limited, 1964)
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