Aboriginal Representation in Film.
Date Submitted: 09/10/2006 02:14:17
Category: / Literature / North American
Length: 9 pages (2518 words)
Category: / Literature / North American
Length: 9 pages (2518 words)
"What comprises the dynamic effect of a painting? The eye follows the direction of an element in the painting. It retains a visual impression, which then collides with the impression derived from following the direction of a second element. The conflict of these directions forms the dynamic effect in apprehending the whole."
(Sergei Eisenstein: 1929)
Eisenstein writes about the art of painting and gives an explanation of where the final product of a painting comes from. …
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…Film Form
New York: Harcourt, Brace & World
JENNINGS, Karen (1993)
Sites Of Difference: Cinematic Representations of Aboriginality and Gender
South Melbourne: Australian Film Institute Research and Information Centre
MARTIN, Angela (1979)
Films For Women
London: British Film Institute
RUTHERFORD, Anna (1988)
Aboriginal Culture Today
Sydney: Dangaroo Press - Kunapipi
WOLLEN, Peter (1982)
Readings and Writings: Semiotic Counter-Strategies 'The Two Avant-gardes'
London: Versoi NLB
FILMS
Nice Coloured Girls (1988)
MOFFATT, Tracey
Night Cries - A Rural Tragedy (1989)
MOFFATT, Tracey
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